Young Meepa released MXTPE #2: misanthropy on December 4, 2025. The 13-track, 32-minute mixtape captures rage, reflection, and survival.
The title misanthropy reflects a history of repeated harm, where distrust forms naturally. The anger throughout the project isn’t theatrical. It’s built slowly, track by track. The songs feel shaped by displacement, addiction, and resistance, recorded from inside the experience.
That approach is most confrontational on the lead single, “Blood and $emen (ACAB).” Intentionally extreme, the track draws from Meepa’s real experiences navigating homelessness, street life, and systems he says treat people like him as disposable.
Throughout the album, Young Meepa repeatedly references abuse as a recurring condition. Lines like “I was already used to abuse” reflect a larger pattern across the project, where harm appears so consistently that it becomes normalized. Abuse is presented as something ongoing, emotional, physical, and systemic, shaping behavior, trust, and self-perception. Meepa documents how repeated exposure leads to exhaustion, awareness, and a defensive posture that runs through the album.
Emotionally, MXTPE #2: misanthropy exists between resignation and survival. On one hand, it exposes how deeply damage can settle into a person’s sense of self. On the other, it suggests endurance, the ability to keep moving even when pain has become routine. That tension runs through the entire mixtape.
Misanthropy follows Meepa’s debut MXTPE #1, which introduced his uncompromising world through the single “BCA (Bug Chasers Anonymous).” Together, the projects form a growing archive of lived experience.
Looking ahead, Meepa is building a two-part release titled MXTPE #3: dystopia… Pt. 1 & Pt. 2.
“So I’m starting a 2 pt mixtape already called ‘MXTPE #3 dystopia… Pt.1’ and ‘MXTPE #3 dystopia… Pt.2.’ Both have 6 tracks… all together it’s equal out to 33 tracks which however you look at it can be either evil, holy, or neutral but weirdly divisible,” he shares.
Each release adds another layer to the story he’s documenting, with more still waiting to be heard.
