Following a high-profile live debut of “Berghain” alongside Björk at the 2026 BRIT Awards, Spanish superstar Rosalía has officially launched her highly anticipated Lux Tour. The opening night at the LDLC Arena outside of Paris served as a sprawling showcase for her latest pop masterpiece, Lux, featuring a series of live performances that captivated the audience.
A New Era of Live Performance
The setlist leaned heavily into the sonic textures of her most recent project, marking the live debut of several tracks that have quickly become fan favorites. Among the highlights were “Sexo, violencia y llantas,” “Porcelana,” “Divinize,” “Mio Cristo piange diamanti,” “Sauvignon blanc,” “La yugular,” “Dios es un stalker,” “La Rumba Del Perdón,” “Novia robot,” “Focu ’ranni,” and “Magnolias.” The production quality, coupled with Rosalía’s signature vocal precision, signaled a new, elevated chapter for her concert experiences.
Addressing Controversy: A Sincere Apology
Beyond the music, the week leading up to the tour kickoff was defined by a moment of reflection for the artist. During a recent appearance on the Spotify Presenta podcast, Rosalía made comments regarding Pablo Picasso, suggesting that she separates the art from the artist. This perspective, however, drew scrutiny given the long-standing documentation of the late painter’s abusive behavior toward women.
Recognizing the gravity of her words, Rosalía issued a video apology this week to clarify her position and express genuine remorse. She admitted that her initial comments lacked necessary context and sensitivity.
Reflecting on Accountability
“I personally thought Picasso was a great man, as people have said before. But I didn’t know there were real cases of abuse,” Rosalía explained in her video statement. She emphasized the importance of acknowledging the pain of survivors and confessed that she did not feel “at peace” with her previous stance. Her apology served as a direct attempt to realign her public persona with her values as a feminist artist.
