The festival featured four nights of music, starting with a smaller Thursday night warm-up confined to just Empire Control Room & Garage and Elysium, and then spreading out across a few other clubs up and down Red River — or, if you wanted to brave the 100-plus degree weather in the daytime, you could also catch acts at the Central Presbyterian Church. (The weekend also had a series of bonus programming at Chess Club, featuring performance art, sound baths, films, and other odds and ends depending on the day.) On any given night and at any given venue, you might find a sort of mini-festival happening within Oblivion Access, places dialing in to one vibe or another for the evening. In that sense, Oblivion Access not only had enviable booking, but also some smart curation.