In December 1994, the Duluth, Minnesota band Low released their debut LP I Could Live In Hope on Vernon Yard Recordings. In an increasingly loud and blustery rock underground, Low stood out by being quiet and minimalist, driven by the spectral harmonies of young married couple Alan Sparhawk and Mimi Parker. That album helped establish that subgenre known as slowcore. In the decades that followed, Sparhawk and Parker kept Low going — first with a series of different bassists, and then all on their own — and they moved into different sounds and styles. The band ended in 2022, when Parker passed away of cancer at the age of 55. Yesterday was the 30th anniversary of I Could Live In Hope, and Sparhawk took the opportunity to reflect on it.

Alan Sparhawk has done a lot of reflecting lately. Earlier this year, he released his solo debut White Roses, My God — a mutant electro-pop album drive by incalculable loss. Yesterday, he wrote an Instagram post about Low’s experience recording I Could Live In Hope — sending early demos to producer Kramer, making the long-haul drive to New York, and the religious awe that would come over engineers when they heard Mimi Parker recording her vocal parts. It’s a sweet and interesting read; check it out below.

Read our recent feature on Alan Sparhawk here.